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vendredi 16 novembre 2018

MILDRED ANDERSON




MILDRED ANDERSON/ Complete Recordings


           
It's hard to believe that a fine female singer like Mildred Anderson who started her recording career with several top notch and famous bandleaders like Albert Ammons, Bill Doggett or Hot Lips Page, waxed two LP's for Prestige Bluesville in the early 60's, is so ill-documented.
            No real article, interview or whatsoever of her in any known blues and jazz magazine (as far as I know), elusive liner notes about herself and her whereabouts, nothing really substantial!
            So, and I guess it's the first time in my Blue Eye blog, here are the complete recordings of Ms Marion Anderson, a very good singer between jazz and blues, that I wasn't able to find much about! She is probably from the East Coast States like so many African Americans who resettled in the New York area during the 1940's. And she was probably born in the twenties! That's all!
            She anyway started to sing and be recorded with maestro piano man Albert Ammons in 1946, is reported to have been - although briefly - the singer of Hot Lips Page's band, then with Bill Doggett during 1953, waxing three nice tracks... And then a gap before she was again in the studios, this time in 1960 for two albums for the then fledgling Prestige-Bluesville label. Once again she is backed by some of the finest jazzmen of the era: Eddie Lockjaw Davis (she might have been her band singer at that time?), Al Sears, organists Shirley Scott and Ernie Hayes, guitarist Lord Westbrook for a jazz and blues programme. Mildred is a very fine gritty alto singer and is able to breathe a strong blues feeling in any song.
            What did she become after 1960? Of course those albums - like most of the Bluesvilles - certainly didn't sell very well and I remember seeing dozens of her two LPs on sale for a couple of Francs at the Saint Ouen Flee Market in the early 1960's! But it is very strange that judging her talents, her location (New York City!) and her pedigree, she wasn't more documented and she didn't resurface later....
            Anyway, she leaves us a strong musical legacy which one is able to hear entirely over here.
                                                                       Gérard HERZHAFT

Thanks to Marc for his help

Bob Eagle, author of the essential reference book Blues/ A regional experience adds those great facts about Mildred Anderson:
Gerard: post-recording info re Mildred Anderson: Mildred and Hortense worked together at the Key Club, 1325 Washington Street, Minneapolis, Minnesota during April 1961, backed by Gene (Bowlegs) Miller and his band. Mildred married Philadelphia-based businessman Bob Freeman in about September 1961. Hortense Allen was also involved with Rufus Rockhead at Montreal, Quebec, Canada, during July 1962, also featuring Mildred Anderson. Mildred almost lost her voice in the 1960s. In November 1970, having recovered her voice, she substituted for Candy Rae at Cyrus Scott’s Sahara Supper Club, Philadelphia .
Fin de la discussion

Mildred Anderson, vcl; Albert Ammons, pno; Ike Perkins, g; Israel Crosby, bs; Jack Cooley, dms. Chicago, Ill. 2 April 1946
01. Doin' the boogie woogie
Mildred Anderson, vcl; Hot Lips Page, tpt; Afred Cobbs, tb; Teddy Smalls, a-sax; Paul Quinichette, t-sax; Freddie Washington, pno; Carl Wilson, bs; Joe Booker, dms. New York City, 7 March 1951
02. That's the one for me
Mildred Anderson, vcl; Hot Lips Page, tpt; Bernard Flood, tpt; Alfred Cobbs, tb; Teddy Smalls, a-sax; Sam Taylor, t-sax; Dave Smalls, b-sax; Bill Doggett, pno: Leroy Kirkland, g; Walter Page, bs; Art Taylor, dms. New York City, 3 May 1951
03. I want to ride like the cowboys do
Mildred Anderson, vcl; Percy Francis, t-sax; Bill Doggett, og; Shep Shepherd, dms. New York City, 18 Februaryer 1953
04. No more in life
Mildred Anderson, vcl; Percy Francis, t-sax; Bill Doggett, og; Mickey Baker, g; Carl Pruitt, bs; Shep Shepherd, dms. 28 August 1953
05. You ain't no good
06. Your kind of woman
Mildred Anderson, vcl; Eddie "Lockjaw" Davis, t-sax; Shirley Scott, og; George Duvivier, bs; Arthur Edgehill, dms. Englewood Cliffs, NJ, 22 January 1960
07. Person to person
08. Kidney stew blues
09. Connections
10. I'm free
11. Please don't go
12. Hello little boy
13. I didn't have a chance
14. Good kind daddy
Mildred Anderson, vcl; Al Sears, t-sax; Robert Banks, og; Lord Westbrook, g; Leonard Gaskin, bs; Bobby Donaldson, dms. Englewood Cliffs, NJ, 26 September 1960
15. What more can a woman do
16. I'm lost
17. Everybody's got somebody but me
18. I ain't mad at you
19. Hard times
20. That old devil called love
21. Mistreater
22. No more in life
23. Roll'em Pete



lundi 5 novembre 2018

WILEY & FLASH TERRY/ The Real Blues Brothers (4th Edition)


WILEY & FLASH TERRY/ The Real Blues Brothers
(Fourth Edition)

           
On peut classer les frères Terry, Wiley et Flash, parmi les grands méconnus du blues. Ils sont pourtant deux remarquables guitaristes qui ont substantiellement enregistré.
            Wiley Terry est surtout réputé pour son single en deux parties Follow the leader, devenu un favori des clubs de danse popcorn, notamment en Europe. Mais on ne savait que très peu de choses sur lui. J'ai eu la chance d'entrer en contact avec sa fille Tamara Leigh Terry qui m'a très aimablement donné davantage de renseignements sur son père et sa famille de musiciens.
            Wiley , né à Inola, une banlieue de Tulsa (Oklahoma) le 10 septembre 1936, a appris très jeune la guitare en même temps que son frère aîné Flash et a été aussi élevé avec Ted Taylor qu'il considérait comme son "frère" et qui, lui, fera une prolifique carrière de chanteur de Soul Blues. Dans nombre de disques de Ted, notamment dans la première partie de son oeuvre, le guitariste lead est Wiley Terry et ses solos sont souvent tranchants, précis et plein de feeling. Wiley a vécu en Floride, à Los Angeles et en Arizona, enregistrant à chaque fois derrière différents chanteurs et plusieurs instrumentaux sous son nom ou avec l'orchestre de Ted Taylor, avant de s'installer à Chicago en 1964. C'est là qu'il grave ses 45t les plus connus pour USA, les remarquables Follow the leader, Shake it baby, Joker's Wild dance. La maison de Wiley Terry était souvent fréquentée par quantité de bluesmen de Chicago et sa fille se souvient de Howlin' Wolf, Koko Taylor, Willie Mabon, Albert King et bien d'autres... Contacté par James Brown pour faire partie de ses JB's, Wiley a préféré rester à Chicago. Pour des raisons économiques, il a dû ensuite prendre un job de conducteur de poids lourds et a abandonné progressivement la musique, se consacrant avant tout à sa congrégation. Il est décédé à Chicago le 1er mars 2010.
            Tamirah pense qu'il a enregistré bien davantage que les quatre singles que nous lui connaissons. Nous avons inclus ici ses trois 45t pour USA, des extraits seulement de son single
Wiley Terry & Ted Taylor
californien car, malgré mes efforts, je n'ai pu obtenir une copie décente de ces instrumentaux qui semblent bien juteux...
            Selon Tamirah, Wiley serait aussi le chanteur et guitariste (sa guitare paraît immanquable) des deux titres enregistrés à Los Angeles en 1961 et que le label a attribué à l'inconnu Kid Guitar Thompson, certainement un nom inventé pour la parution des années après d'une séance ensevelie dans les tiroirs! Nous avons inclus ces deux titres qui ne sont en fait que deux prises d'un même morceau.

            Flash Terry (Verbie Gene Terry) est né lui aussi à Inola (Oklahoma) le 17 juin 1934 et a substantiellement enregistré sous son nom à partir de 1958, essentiellement en Californie puis à Tulsa où il est revenu vivre. Il a tourné et enregistré avec Leon Mc Auliffe, Bobby Bland, Bo Diddley, Etta James et bien d'autres avant de, lui aussi, abandonner la musique pour devenir chauffeur d'autocar de la ville de Tulsa. Mais, à sa retraite, il a repris une carrière musicale active, dirigeant un nouveau blues band avec de jeunes musiciens locaux, ce qui lui a permis de tourner en Europe et d'être élu à l'Oklahoma Jazz Hall of Fame. Il est décédé le 18 mars 2003 d'une attaque.
            Merci encore à Tamirah Leigh Terry pour son aide déterminante. Elle est aussi une excellente chanteuse de R&B, de Gospel et de Jazz, a enregistré en studio mais cherche un producteur et un label (https://www.facebook.com/musicsongbird?fref=ts)
                                                                       Gérard HERZHAFT

            The blues brothers Wiley and Flash Terry are largely unknown outside some blues circles although they were remarkable guitar players who recorded some first rate music. Thanks to Wiley's daughter Tamirah Leigh Terry that I had the chance to be in contact with I have been able to document more accurately the career and life of her father.
            Wiley Terry's Follow the leader, a two parts semi instrumental is currently enjoying a great reputation in Europe, particularly in the "popcorn" dance clubs. But he has offered much more.
            Wiley Terry was born in Inola (Oklahoma) on October 9th, 1936, learning the guitar at an early age with his elder brother Flash. The famous Soul blues singer, Tulsa born Ted Taylor was also considered as a "brother" by the Terry Family and Wiley will be several years in the studio and on tour with Ted, delivering concise, precise, bluesy and full of feeling guitar solos on many records. Wiley lived in Arizona, Los Angeles, Florida, doing studio work everywhere. Before settling in Chicago permanently in 1964, where he waxed his two most famous 45t for the USA label (Follow the leader I & II, Shake it baby, Joker's wild dance). Tamirah remembers many bluesmen coming to the Terry's home: Howlin' Wolf, Koko Taylor, Willie Mabon, Albert King and many more. Wiley was even approached by James Brown to be a member of the JB's but he turned down the offer. Unfortunately, he had to give up his musical career and make a living as a truck driver and centered more his talents for his church. He died in Chicago on March, 1st 2010.
            Tamirah thinks her father recorded much more than the four singles that we know from him. We have included here his three 45s, and just extracts from a single recorded in Los Angeles because, despite my efforts, I have been unable to get a good enough copy of what seem to be very spicy blues guitar instrumentals.
            On the other hand, here is a track (with two takes named differently) that was probably recorded by Wiley in LA in 1961 but issued only years after under the odd nom de disque Kid Guitar Thompson.
            The better known Wiley's elder brother Flash Terry (Verbie Gene Terry) was also born in Inola (Ok) on June, 17th 1934. He made many records under his name and behind others, touring and recording with Bobby Bland, Etta James, Bo Diddley, even Western Swing's veteran Leon Mc Auliffe and many others... He enjoyed some Hits but he too had to gave up music for years and make a more secure living as a bus driver in his hometown of Tulsa. When retired, Flash resumed his musical career, formed a new band with local youngsters, toured Europe and was even elected at the Oklahoma Jazz Hall of Fame. He died from a stroke in Tulsa on March, 18th 2003.
            Thanks again to Tamirah Leigh Terry for her essential help. She is herself an excellent composer and singer who made some studio recordings and who is currently looking for some label and producer. ((https://www.facebook.com/musicsongbird?fref=ts)
                                                           Gérard HERZHAFT



WILEY & FLASH TERRY/ Discography
WILEY TERRY, vcl/g: band. Chicago, Ill. 1964
01. Follow the leader I & II
Wiley Terry, vcl/g; band. Chicago, Ill; late 1964
02. Shake it baby
03. Joker wild dance
Wiley Terry, g; band. Los Angeles, Ca.. mars 1963 or 1965
04. The Stroll is back.
05. The upslide
Wiley Terry (as Wyley Joe Terry and his Four Bells), vcl:g; band; vcls. Tulsa, Ok. ? or Chicago, Ill.  novembre 1965
06. Whoopshank
07. What's the matter baby
BOB STARR, vcl; Wiley Terry, g; horns; Leroy Spells, bs; pno; dms. Los Angeles, Ca. octobre 1962
08. Can't waste my time on you
KID GUITAR THOMPSON (prob. Wiley Terry), vcl/g; The Scooters, band. Los Angeles, Ca. 1961
09. My baby done me wrong
10. Whammy in the Gizzmo
FLASH TERRY (Verbie Gene Terry), vcl/g; Floyd Dixon, pno; Billy Hadnott, bs; dms. Los Angeles, Ca. 1958
11. One thing we know
12. On my way back home
Flash Terry, vcl/g; band. Tampa, Fl. 1959
13. She's my baby
14. It's all over now
Flash Terry, vcl/g; band. Tulsa, Ok. février 1961
15. I was a fool
16. Come back baby
17. Big Betty
Flash Terry, vcl/g; Johnny Carroll, t-sax; Matthew Daniels, t-sax; Wesley Berry, pno; Charles Burton, bs; David Beard, dms. Tulsa, Ok. octobre 1961
18. Her name is Lou
19. Cool it