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mardi 5 janvier 2021

HONEYBOY EDWARDS/ Complete early recordings 1942-69

 HONEYBOY EDWARDS/ Complete Early Recordings 1942-69



 Honeyboy Edwards a été un acteur important de l'histoire de la migration du blues du Delta vers Chicago. Né à Shaw (Ms) le 28 juin 1915 au coeur du Delta, David Edwards a longuement voyagé avec Robert Johnson et Big Joe Williams, Forgeant son propre style au contact de ces deux compères ainsi que d'autres dont il a croisé la route un moment, tels Charlie Patton, Son House, Tommy Mc Clennan, Tommy Johnson, Robert Petway et bien sûr son voisin Muddy Waters. Guidés par John Work, les Lomax découvrent Edwards en 1942 sur la plantation Stovall où il est manoeuvre agricole et l'enregistrent à Clarksdale. Cette superbe série de titres non commerciaux enregistrés pour la Bibliothèque du Congrès révèlent en Edwards un des plus doués de ces bluesmen du Delta de ces années 1940, avec un jeu de guitare en fingerpicking fluide, imaginatif et substantiellement moderne.
        
Honeyboy Edwards. Clarksdale 1942
     Comme Muddy Waters, Honeyboy aurait dû émigrer vers Chicago mais il préfère traîner au Texas, le temps de graver un beau Build myself a cave pour un obscur label local. Il remonte à Memphis où il enregistre pour Sam Phillips une des plus belles versions de Sweet home Chicago qui restera inédite pendant deux décennies et qui sera même un temps attribué au pianiste Albert Williams! Mais Edwards est aussi à Chicago, attire l'attention des frères Chess qui le font enregistrer quelques grands titres (Drop down mama) mais décident de ne pas les exploiter pour ne pas concurrencer Muddy Waters! Il reste encore au moins trois titres inédits dans les archives de Chess si celles-ci existent encore quelque part!
            Par la suite, Honeyboy fait partie des premiers Aces avec Fred Below et les frères Myers mais les quitte juste avant qu'ils n'enregistrent. Il est du premier Blues Revival mais la plupart des séances que produit à l'époque Pete Welding resteront aussi inédites. La malchance frappe encore lorsque Honeyboy est en 1969 dans les studios Chess avec Fleetwood Mac et que les deux titres qu'il enregistre alors ne sont pas retenus sur l'album original!
            Heureusement, Honeyboy, grâce à sa longévité, finira par enregistrer plusieurs albums la plupart du temps en solo, apparaître dans les grands festivals, faire des tournées internationales, un des derniers témoins du passage du blues du Delta à celui de Chicago.
            Il décède le 22 août 2011 à Chicago après avoir publié en 1997 sa superbe autobiographie (The world don't owe me nothing) que nous recommandons chaudement.
Autobiography

                                     Gérard HERZHAFT

            Born in Shaw (Ms) on June 28th, 1915, David "Honeyboy" Edwards has known and played with most of his local contemporaries, Robert Johnson, Big Joe Williams, Tommy Mc Clennan, Robert Petway and of course his neighbour Muddy Waters. He also learned from Charlie Patton, Tommy Johnson and Son House, all of whom he met and sometimes played with.
            Lead by African American musicologist John Work, John and Alan Lomax discovered Edwards on Stovall Plantation where David was a sharecropper. Work noted that here was "a skilled blues singer and guitarist as well as a clever young man". Thus Edwards was quite extensively recorded for the Library of Congress during two days of July 1942 in Clarksdale. Those recordings show an excellent singer and a very fluent, imaginative fingerpicking guitarist with a more modern approach than most of his local fellow bluesmen.
            Like Muddy Waters and so many others, Honeyboy should have migrate to Chicago and probably he would have started to record a thicker work and maybe become an important name of the post-war Chicago blues. But instead he preferred to drift here and there, working as a field hand a little bit everywhere in the Southern States and playing his music in juke joints and venues. His recorded output during the 1950's is unfortunately quite thin but of a very high quality. He waxed four sides in Texas (only two were issued), one striking version of Sweet Home Chicago in Memphis for Sam Phillips that will stay unissued for decades and even attributed to piano player Albert Williams (!)... When he hit Chicago in 1953, he eventually recorded for the Chess label four titles that Chess didn't issue because they thought Edwards's style was too close to Muddy Waters', which was of course true. Only one (Drop down mama) has been issued on LP, the remainder lays somewhere in the Chess vaults if there still is such a thing today!
            And that's it for his commercial recordings for the African American blues market! Honeyboy will also ne a member of the Aces with Below and the Myers brothers but once again won't record with them. He'll have to make a living outside of music during the 50's and 60's. And when Pete Welding brought him in the studio in 1964 and 1967 for the new public of the Blues Revival, most of the tracks Honeyboy recorded then would stay unissued until the CD years. In 1969, Edwards is part of the Fleetwood Mac's Chess sessions but - guess what - the two titles he takes as a leader will stay once again in the vaults until the 1990's!
            But at last, during the 1980's, Honeyboy's talents will be recognized. Edwards, as an elder witness of the henceforth legendary road that brought the Delta blues to Chicago and as an old partner of Robert Johnson, will record several CD's, be on major festival stages, tour Europe. He even will write in 1997 a gripping autobiography (The world don't owe me nothing) that should be in all blues libraries.
            Honeyboy Edwards died in Chicago on 22 August 2011.
                                                                       Gérard HERZHAFT


HONEYBOY EDWARDS/ Complete Early Recordings
Honeyboy Edwards, vcl/g/hca. Clarksdale, Ms. 20 juillet 1942
01. Spread my raincoat down
02. Chain Gang song 1 (You got to roll)
03. Chain Gang song 2
04. Stagolee
05. Just a spoonful
06. I love my Jelly roll
07. Hellatakin' blues
08. Worried life blues
09. Water Coast blues
10. The Army blues
11. Tear it down rag
Honeyboy Edwards, vcl/g/hca. Clarksdale, Ms. 22 juillet 1942
12. Wind howlin' blues
13. Roamin' and ramblin' blues
Honeyboy Edwards, vcl/g; Thunder Smith, pno. Houston, Tx. 1950
14. Build a cave
15. Who may your regular be?
Honeyboy Edwards, vcl/g; Albert Williams, pno; Joe Willie Wilkins, g; Dickie Houston, dms; James Walker, wbd. Memphis, Tn. 1952
16. Sweet home Chicago
Honeyboy Edwards, vcl/g; Gus Jenkins, pno; Willie Nix, dms. Chicago, Ill. 9 janvier 1953
17. Drop down mama
Honeyboy Edwards, vcl/g; John Lee Henley, hca. Chicago, Ill. 17 mars 1964
18. My baby's gone
19. Angel Child
20. Highway 61
21. Love me over slow
Honeyboy Edwards, vcl/g. Chicago, Ill. 29 juillet 1967
22. Just like Jesse James
23. Sweet home Chicago
24. Blues like showers of rain
25. Long tall woman blues
26. Love me over slow
27. Crawling kingsnake
28. Skin and bones blues
29. Bull cow blues
30. Worryin' woman blues
Honeyboy Edwards, vcl/g Big Walter Horton, hca; Buddy Guy, g; Peter Green, g; Willie Dixon, bs; Mick Fleetwood, dms. Chicago, Ill. 4 janvier 1969
31. My baby's gone
32. Honeyboy blues

13 commentaires:

  1. Honeyboy Edwards/ Complete Early Recordings 1942-69 (updated and with new links)
    https://mega.nz/file/WQwGkaJT#xMZibUDnX08FUBK6dCibQj-PQZGNbcX_5jJK0skAFcw
    OK?

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  2. Merci, Gerard! Happy New Year!

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  3. Salut Gerard,
    bonne annee;merci pour ce nouveau post;garde-toi bien mon ami.

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  4. Thanks Gerard as always for your tireless work! Did not have this important era of his music! Peace, Love & Blessings...

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  5. Muchas gracias por su estupendo trabajo.

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  6. Thanks for another great post.

    I also enjoy when you change the photos on the header of your blog. I visit Clarksdale about 1-2 times per year to visit my mother in law. Unfortunately, there are plenty of buildings in Mississippi that still look like the one in your current header. It is still a very poor area to this day.

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    Réponses
    1. Thanks Lewdd. To be able to have testimonies like yours across the world is certainly among the best things (among a lot of worsts) that the web brings to us. I have been in the Delta (and Clarksdale) during the Fall of 1979 and thanks to David Evans and Kip Lornell, I met a lot of bluesmen (and women) playing at their homes. A striking experience at that time! Unfortunately, I've not been able to visit again this area although I go regularly to the USA to visit my kinfolks.

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    2. You should try to check this out when you are again in the USA.

      https://jukejointfestival.com

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    3. Gerard, thank you so much for this. I got to hang around Honeyboy a little bit. I've been visiting the Delta ever since I could drive a car... all the way from Pennsylvania, initially! In fact, on my first trip "South", I was scheduled to fly from Cleveland, Ohio to Memphis, then rent a car to go to Helena, Arkansas and Clarksdale, Mississippi. Well... I messed around and was running a bit later than planned... and there was an accident and construction on the interstate. We missed our flight! We couldn't get another until the next day. I was so bound and determined to get to Helena in time for the opening of that year's King Biscuit Blues Festival that I quickly calculated and determined that if I rented a care in Cleveland and drove, that I could get there quicker that flying the next day. So that's what we did. Thank God because it all worked out splendidly.

      The first time I went down south there I went to Helena for the King Biscuit Blues Festival, and Clarksdale, as well as Memphis. At the King Biscuit Festival, I was backstage meeting artists with my girlfriend and with a stack of albums and posters to get autographed. I met Honeyboy and he was nice but a little distracted by everyone around at the time. I then introduced my girlfriend to him, and as she was quite attractive, Honeyboy instantly gained pure focus on meeting her and giving her a big hug. :-)

      Truly, if you ever have the time and opportunity to take a southern American field trip in the future, PLEASE get in touch with me (at mojospoonful@gmail.com.. I don't mind putting my email here) and I will extremely happily offer to be your humbly-self-proclaimed-blues-insider type of tour guide.

      I seriously cannot express enough how much I appreciate all of your blues compilations and the work that goes into providing them.

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  7. Thanks for this and all the other great artists you teach us about!

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  8. Thank you for this Honeyboy Edwards post!!!

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